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Book Recommendation/Book review

The Seep

Chana Porter

“I’ll tell you a secret. This is something no one else knows. But you’re my oldest and dearest friend and I want to share this with you. This isn’t my real face.”

To me, a good book has to have a few essential things apart from style and it being well-written: believable characters with flaws and emotions, a good plot that is going somewhere, good world-building, and above all a powerful change. A change that has lessons to learn from. I have come across books that have all of the above, they just tick all the boxes, but that book list however will only fit on one-page maximum despite all my reading. There are books that are simply enjoyable and light and I may take something out of them for one reason or another, again other books I might like and will recommend despite not wanting to read them again, yet others are breath-taking and simply amazing. It is those books that have a lasting impact on me and to those, I will return for comfort or as a reminder of what I loved about them in the first place. It’s like love affairs! The difference between flings, infatuations, and true lasting love!

I read a lot. I mean, a lot. I get withdrawal symptoms if I don’t! Books are my salvation, my comfort, my teachers, my soul food. But I am choosy when it comes to which books I read, even more so over time. I can no longer read books with too much violence, abuse, murder, scary stuff, or even boring romance without a good storyline or a decent message. It was Stephen King who said there are 3 functions of storytelling: entertainment, escapism, and education. For me, that rings true, books also have to resonate with me, as if they speak to me personally and to my soul and the path I am currently on. Sometimes I don’t even finish a book if it doesn’t hold my attention past twenty percent, or the characters are too weak or if I don’t like them, there is unnecessary violence, or if the plot is lacking so I skip to the end to find out what happened often confirming my reservations about the book. I mean, why waste my time, right? Some might say I miss out on really great books this way, but I don’t know, my instinct is often right. And everybody is different, what may be a great book to me might not for you and vice-versa. Despite it being well-written, it has to grab me. I suppose that is why there is such a thing as a rating system on platforms such as Amazon and Goodreads. Some good books deserve three or four stars and they may still be good books, but they lack something that your most beloved books don’t. It is a personal opinion after all. And that may change over time because we change. I may have read some books I absolutely adored when growing up, or when I was a young adult, and which were meaningful at the time, but when I reread them now, it won’t be the same and that is fine. So…let me tell you about…THE SEEP by Chana Porter.

THE SEEP is one of those rare finds that have become one of my favourite top reads to cherish already and I couldn’t stop talking about it for days! It is one of those rare, gorgeous treats you just want to indulge yourself in and you don’t want it to end. It’s a book that is already recognised by the literary world and it has received numerous awards since its release last year. Everything is just right with this book: the feelings portrayed by the main characters, the style, the dry humour, the raw emotions of loss and not wanting to let go of what is familiar and safe, a study of what identity is, and the impossibility of perfection. It is a utopian near-futuristic novella and weird at times but all in a good way, not like an Octavia Butler book for example, as nothing is too obscure like in most other utopian or alien invasion books. It’s not a long read but it feels longer and I like that! I read this with an open mind and everything made perfect sense to me especially because everything feels so familiar. This is our life and this is what could happen if presented with this kind of experience to people. That is why I love speculative fiction so much. It explores all possibilities.

The main character is Tina, a fifty-year-old Native-American transwoman and likable and easy to identify with regardless of the reader’s own gender or sexuality. She has been married to Deeba for a while and lives a good life with friends. They drink, they party, they have meaningful conversations. When alien beings without a physical body come to Earth in the form of a substance that can enable psychic bonds between all living matter, whereby you can be transformed into anything imaginably. Humans can turn into other species, or give themselves animal-like qualities like horns and scales and wings; they can become other genders or ethnicities, and they can even take on the very faces of people they know and admire. A great many people are concerned about what that might mean for the world and the human way of life. Some people choose to live in special compounds designed for them and continue life as if the aliens have not come at all. The compounds are co-created by the humans and the benevolent aliens who are known as The Seep who only wished to give humanity as many different choices in life as possible so that all beings may be free, happy, and at peace. The hive-like aliens have done this by adding chemicals to the water supply that alter people’s personalities and the chemical structures that make up their bodies and the rest of the organic materials on Earth. Suddenly, our planet is peaceful, blissful, capitalism is gone, hierarchies are broken down, violence is gone, separation is gone and all things are possible… but instead of Earth becoming a utopia, it becomes a orgiastic love fest where everyone is just part of a seething mass of modified bodies writhing together towards some hazy idea of what is good. The concept is clever, even the execution of it. It reminded me of the sixties hippies on drugs raving about transcendence without really grasping it, but rather losing themselves.

Tina is one of the rare people who still, twenty years later, doesn’t really fully embrace this new change especially as her wife of many years announces she wants to become a baby (!) and leaves her to begin her new life in the South of France with Persian parents. Tine is heartbroken since in the whole, identity is so crucial to her own experience, she is horrified by what she sees around her as a tremendously insensitive act of mass misuse and of course because she loses her wife. We follow her as she grieves like a widow and slowly tries to find herself again amidst a world that has turned upside down. Understandably she is seeking revenge against someone who is using The Seep in an evil way, someone who used to be her friend, and a young boy who is untouched by The Seep she needs to protect from him. I loved the pamphlet The Seep talks through and that could read her mind. It is the closest we come to talking and understanding the aliens.

Above all the story is an exploration of what it really means to be human as explored through the eyes of an entity that is not.

“People need to give each other space to make choices. We can’t live solely for other people. Even if it hurts them. Even when it breaks your heart.”

“I’ve come to understand that all things are letters. That is, all words are messages, and all actions are known and recorded, in some way or another.”

“We’re only on this planet to grow and change, and sometimes that can only happen through struggle.”

It’s great to see a science-fiction work that features an older woman of color who is LGBT+, as a lot of popular science-fiction books tend to feature younger, heterosexual white heroes and heroines.

I was also happy to find a short story at the end of the main story, so make sure you read that one if you want to find out more about one of the young protagonists mentioned in the main story called Aki, and his escape from one of the compounds. It is just as recommended! I can’t wait to find more books by the same author as this is her debut novel I really hope she will write more books about The Seeps, or other books similar! I am a new fan! You don’t have to be a fan of science fiction to enjoy this book. This is a book for our times. Read it!

The book can be found HERE

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Books that inspired me as a writer and as a person Part 2, Tanith Lee

 

Tanith Lee

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Tanith Lee (born 19 September 1947) is a British writer of science fictionhorror and fantasy. She is the author of over 90 novels and 300 short stories, a children’s picture book (Animal Castle) and many poems. She also wrote two episodes of BBC science fiction series Blake’s 7.

She was the first woman to win the British Fantasy Award best novel award (also known as the August Derleth Award), for her book Death’s Master (1980).

She also writes under the pseudonym Esther Garber.

Her books are to be compared with those of C. L. Moore, Leigh Brackett, or Andre Norton. Marion Zimmer Bradley and Jack Vance.

Tanith Lee for me was an important early influence.

When I was about sixteen or so and desperately looking for good intelligent novels to read I was more than pleased I came across The Winterplayers in the local library.

This is a Young Adult Fantasy so it is safe to say this is the first real Fantasy I’ve ever read, even before I heard of C.S. Lewis and Tolkien. I’ve always loved fairytales, especially by the brothers Grimm and Hans Christian Anderson, but felt they lacked something. Adult content? That’s where Miss Lee comes in. Even though this is suppose to be a young adult story it has the feeling and ‘complexity’ (which I think is a good thing) of an adult story.

The heroine in The Winterplayers is a priestess who protects three precious Relics. No one knows of them until one day a grey- haired young man comes, a steely- eyed stranger clad in a great wolf’s skin. He wants one of the Relics and stops at nothing to get it. When they are stolen, she has to follow the thief to try to retrieve them.

This story is breathtaking and the ending so cleverly done it leaves you in awe. I remember it’s the style I just loved in this book, the descriptions, the realistic characters but most of all the plot and ending as it involves time travel!

I was hooked from then on and started reading more of her books, but struggled to find them in my native language, Dutch. I’ve moved on to Cyrion, which is an anthology of short stories around one character which I enjoyed.

Another book which for me stands out and I enjoy re-reading every so often for it’s beauty and symbolism is The Birthgrave. This is a book of self discovery and inner strength and beauty of one person against the rest of the world.

I just love the opening line: “To wake, and not to know where, or who you are, not even to know what you are-whether a thing with legs and arms, or a beast, or a brain in the hull of a great fish-that is a strange awakening.”

The place: the heart of a rumbling volcano.
The person: a woman awakening from a deathlike sleep.
The time: unknown, far from today.
The problem: her identity. Who is she? What are her powers? Who or what is he? What is to be her relation to the world in which she finds herself … slave girl, goddess, nomad, or warrior?
Author Marion Zimmer Bradley, who wrote a special introduction, says, “It’s filled with adventure and beauty, rich alien names, half-sketched barbarian societies, ruined cities, decadence and wonder”; As I read this I thought most often of “The Dying Earth” stories of Jack Vance. THE BIRTHGRAVE has something of the same color and wonder… You can get involved, learn to know the people, get fully submerged in the colorful and fascinating world Tanith Lee presents. And I predict that when you, satisfied but regretful, turn over the last page, you too will wish there were more.”

By no means have I read all of her work and I personally am not too keen on her horror stories and stir away from those. For me her ‘Birthgrave Trilogy’ and ‘Tales Of Flat Earth’ series still stands out, but I’m still trying to catch up!

Bio

Tanith Lee was born on September 19, 1947 in London, England to professional dancers Bernard and Hylda Lee. Despite a persistent rumor, she is not the daughter of Bernard Lee (the actor who played “M” in the James Bond series films between 1962 and 1979). According to Lee, although her childhood was happy, she was the “traditional kid that got bullied,” and had to move around frequently due to her parents’ work. Although her family was poor, they maintained a large paperback collection, and Lee actively read weird fiction, including “Silken Swift” by Theodore Sturgeon and “Gabriel Ernest” by Saki, and discussed such literature as Hamlet and Dracula with her parents. Lee attended many different schools in childhood. She was incapable of reading due to a mild form of dyslexia which was diagnosed later in life, but when she was aged 8, her father taught her to read in about a month, and she began to write at the age of 9.

Education

Because Lee’s parents had to move for jobs, Lee attended numerous primary schools including CatfordGrammar School. Three subjects inspired Lee: English, history, and religion. After high school, Lee attended Croydon Art College for a year. Realizing that was not what she wanted to do, she dropped out and held a number of occupations: she has been a file clerk, waitress, shop assistant, and a librarian.

Career

Her first professional sale came from Eustace, a ninety-word vignette at the age of 21 in 1968. She worked various jobs such as file clerk and assistant librarian due to rejection of her works for almost a decade. 

Her first novel (for children) was The Dragon Hoard, published in 1971 by the publisher Macmillan. Many British publishers rejected The Birthgrave thus she wrote to DAW Books. Her career really took off with the acceptance in 1975 by Daw Books USA of her adult fantasy epic The Birthgrave – a mass-market paperback. Lee has since maintained a prolific output in popular genre writing. The Birthgrave allowed Lee to be a full-time writer and stop doing “stupid and soul-killing jobs.”

Major publishing companies are less accepting of Lee’s works today. The companies which Lee has worked with for numerous years are even refusing to look at her proposals. Smaller publishing companies are just doing a few of Lee’s works. The refusals do not stop her from writing and she has numerous novels and short stories which are just sitting in her cupboard. Mail from fans even asked if she was dead because no new Lee works had been released. Lee even tried changing her genre, but to no success.

Works

Lee’s prolific output spans a host of different genres, including adult fantasy, children’s fantasy, science fiction, horrorGothic horror, Gothic romance, and the historical novel. Her series of interconnected tales called The Flat-Earth Cycle, beginning with Night’s Master and Death’s Master, is similar in scope and breadth to Jack Vance‘s The Dying Earth. Night’s Master contains allegorical tales involving Azhrarn, a demonic prince who kidnaps and raises a beautiful boy and separates him from the sorrow of the real world. Eventually, the boy wants to know more about the earth, and asks to be returned, setting off a series of encounters between Azhrarn and the Earth’s people, some horrific, some positive. Later tales are loosely based on Babylonian mythology.

In the science fiction Four-BEE series, Lee explores youth culture and identity in a society which grants eternally young teenagers complete freedom. They are even killed and receive new bodies, gender and/or identity over and over again.

Lee has also dabbled in the historical novel with The Gods are Thirsty, set during the French Revolution.

A large part of her output is children’s fantasy, which has spanned her entire career from The Dragon Hoard in 1971 to the more recent The Claidi Journals containing Wolf TowerWolf StarWolf Queen and Wolf Wing in the late 1990s and early 2000s.

Lee has been published in various imprints, particularly depending on whether she is offering adult fiction or children’s fantasy. Her earlier children’s fantasy novels were published in hardcover by MacMillan UK and subsequently printed as paperbacks in the US often by DAW, with occasional hardcovers by St. Martin’s Press. Some of her work was only printed in paperback, mainly in the US by DAW in the 1970s to the early 1980s. She has received some small press treatment, such as the Arkham House edition of short stories Dreams of Dark and Light: The Great Short Fiction of Tanith Lee in 1986, and in the first “Night Visions” instalment published by Dark Harvest. Some of her work has been released exclusively in the UK with US publications often pending.

Writing style

Lee’s style is frequently remarked upon for its use of rich poetic prose and striking imagery. Critics describe her style as weird, lush, vibrant, exotic, erotic, rich, elegant, perverse, and darkly beautiful. The technique she uses is very descriptive and poetic which works well with the themes she uses in her mythical stories. She has been praised for her ability to balance her weird style with the challenges of writing a faraway world, but some critics counter that her style is not always easy on the reader; she sometimes leaves the reader with unanswered questions that could have easily been answered if she had gone into greater detail.

Themes

Lee’s writing frequently feature nonconformist interpretations of fairy talesvampire storiesmyths, and the fantasy genre; as well as themes of feminism and sexuality. She also writes lesbian fiction under the pseudonym Esther Garber. Other than feminism and sexuality, Lee uses a wide range of other themes in her stories.

From 1975-80, she began writing gothic science fiction; her first gothic novel Sabella or The Bloodstone features themes of loneliness and fear. Lee’s most celebrated story Elle Est Trois, which examines the relationship between self-destruction and creativity “has themes of psychosis and sexuality, the subjugation of women, and the persuasive power of myth interwoven through it”. You will see myth again (along with race) in her stories The Storm Lord, Anackire, and The White Serpent

Three unique Horror series were produced by Lee in the 90’s; the first story, The Book of the Damned, features themes of body thievery and shape-shifting. Themes of Homophobiaracism, and sexism are seen in Lee’s sequence The Blood Opera, and The Venus Cycle features themes of love, loss, and revenge. Her collection “Disturbed By Her Song”, features themes of eroticism, despair, isolation, and the pressure of an unforgiving and unwelcoming society. These themes reoccur in her 1976 novel Don’t Bite the Sun where the characters are involved in a very erotic lifestyle and the protagonist experiences despair. 

Eroticism shows up again in her novel “Death’s Master” which examines the childhood origins of eroticism and the “later conflicts that arise from it”. The sequel to Don’t Bite the SunDrinking Sapphire Wine, is thematically similar to her other works, whereas it features themes of Death and renewal, sexuality, and love. The theme of recognition also appears in Drinking Sapphire Wine, where the characters are forced to recognize others and themselves in a world where physical form is so readily alterable.

 

Tanith Lee Quotes

 

“Are not all loves secretly the same? A hundred flowers sprung from a single root.”

TANITH LEE, Delirium’s Mistress

“People are always the start for me…animals. When I can get into their heads, gods, supernatural beings,immortals, the dead…these are all people to me.”

“For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appal, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.”

TANITH LEE, Innsmouth Free Press interview, Nov. 17, 2009

“If you run away from trouble, it always follows.”

TANITH LEE, Wolf Tower

“The bitterness of joy lies in the knowledge that it cannot last. Nor should joy last beyond a certain season, for, after that season, even joy would become merely habit.”

TANITH LEE, Delusion’s Master

“How massively the mountains stand, while low to the ground the sand blows. The sand blows on and on. And then there are no mountains, none at all, the sand has kissed and whispered them away. And still, the sand blows on.”

TANITH LEE, Delirium’s Mistres

 

Bibliography

Works of Tanith Lee arranged by date of publication:

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